BLOMSTEDT IN MOZART’S MASS IN C MINOR
The Swedish Radio Symphony Orchestra’s honorary conductor, Herbert Blomstedt, returns with two magnificent works from different eras. Arthur Honegger channelled his rage after the Second World War into his third symphony, Symphonie Liturgique. The three movements, named after different liturgical texts, move from the madness of war to tranquillity and peace. Mozart’s Mass No. 16, generally known as Mass in C minor, was never finished but has still become one of the most beloved sacred choral and orchestral works.
The Swedish Radio Symphony Orchestra is one of Europe’s most versatile orchestras, with a worldwide reputation and a repertoire that combines the major classical works as well as exciting new music. In collaboration with the most important conductors, soloists and composers, there is a constant striving to break new ground. The orchestra’s extensive and high-quality music-making has been rewarded with numerous prizes and accolades and they regularly perform at international festivals and concert halls. “The orchestra has a unique combination of humility, sensibility and musical imagination”, says Daniel Harding, chief conductor of the Swedish Radio Symphony Orchestra. “I have never had a concert with the orchestra where they haven’t played as though their lives depended on it!” he continues. The first radio orchestra was formed in 1925, the same year that the Swedish Radio Service began its broadcasts and since then the orchestra’s concerts have always been broadcast by the Swedish Radio. The Swedish Radio Symphony Orchestra received its current name in 1967 and over the years has had such distinguished chief conductors as Sergiu Celibidache, Herbert Blomstedt and Esa-Pekka Salonen.
The Swedish Radio Choir is like a leading mountaineer in the world of music. The choir’s former chief conductor Peter Dijkstra has described the ensemble as “the group that leaves base camp first and stakes out the course for others to follow.” Three hundred years of Swedish a cappella tradition, combined with an ambitious and culturally diverse repertoire with some of the world’s finest conductors, has established the Swedish Radio Choir as one of the foremost ensembles of its kind. The 32 professional singers are as equally at home in completely new music by today’s most exciting composers as they are in classic favourites from the rich international treasure trove. Through the Swedish Radio’s broadcasts and website the choir not only reaches concert audiences but also radio listeners everywhere.
Soprano Hanna Husáhr hails from Borlänge and studied at the Guildhall School of Music and Drama in London, at the Academy of Music and Drama in Gothenburg as well as at the Stockholm Opera Studio. In 2009, she made her operatic debut as Leïla in Les pêcheurs de perles. She has also played Adina in L’elisir d’amore, Romilda in Xerxes and Zerlina in Don Giovanni. In addition, Hanna has a broad concert repertoire that spans the entire period from early baroque to newly written music, and she has worked with conductors such as Leif Segerstam, Pinchas Steinberg, Mikko Franck and Herbert Blomstedt. Hanna received the Jussi Björling prize in 2011, the Christina Nilsson scholarship in 2013, the Mozart Prize in the Stenhammar competition in 2016 and the Birgit Nilsson scholarship in 2017.
Chief conductor of the Jeune Choeur de Paris, he started a collaboration with the SWR Vokalensemble Stuttgart in 2013 (including a recording of Ravel’s Daphnis et Chloé), and also works regularly with the Chœur de Radio-France and the Choeur Accentus since 2014, for tours, radio performances, recordings, preparations and A Cappella concerts. He collaborates with many personalities, such as Sir Simon Rattle, Gustavo Dudamel, Daniele Gatti, Louis Langrée, Stéphane Denève, Daniel Harding, Laurence Equilbey, L. G. Alarcon… He has also conducted the WDR Rundfunkchor in 2016. In July 2016, he has prepared both the SWR Vokalensemble Stuttgart and the NDR Chor for Berlioz’s Romeo et Juliette. In 2017, he has participate to the opening of the Seine Musical conducting the choir accentus and in 2018, he starts a collaboration with the Croatian Radio Choir. Korovitch works for many festivals: the Mozartwoche in Salzburg, Recontres Musicales d’Evian, the Festival de Radio-France in Montpellier or the festival Mozart in New York.