arrow

HARDING & MAHLER

Daniel Harding leads the Swedish Radio Symphony Orchestra and soloists Johanna Wallroth and Christian Gerhaher in a concert where we meet Gustav Mahler in three different works: the imaginative singing cycle Des Knaben Wunderhorn, the Fourth Symphony and the short orchestral movement Blumine – originally the second movement in the composer’s first symphony. An evening of great music with turn-of-the-century Vienna as a backdrop.


SWEDISH RADIO SYMPHONY ORCHESTRA
Print

Participants

 

Sveriges Radios Symfoniorkester. Foto: Julian Hargreaves.

The Swedish Radio Symphony Orchestra is known worldwide as one of Europe’s most versatile orchestras with an exciting and varied repertoire and a constant striving to break new ground The multi-award-winning orchestra has been praised for its exceptional, wide-ranging musicianship as well as collaborations with the world’s foremost composers, conductors and soloists.

Permanent home of the Swedish Radio Symphony Orchestra since 1979 is Berwaldhallen, the Swedish Radio’s concert hall. In addition to the audience in the hall, the orchestra reaches many many listeners on the radio and the web and through it´s partnership with EBU. Several concerts are also broadcast and streamed on Berwaldhallen Play and with Swedish Television, offering the audience more opportunities to come as close as possible to one of the world’s top orchestras.

“The orchestra has a unique combination of humility, sensibility and musical imagination”, says Daniel Harding, Music Director of the Swedish Radio Symphony Orchestra since 2007. “I have never had a concert with the orchestra where they haven’t played as though their lives depended on it!” The orchestra is also proud to have Klaus Mäkelä as its Principal Guest Conductor since 2018.

During the COVID-19 pandemic, the Swedish Radio Symphony was one of the only orchestras in the world which never stopped playing.  Its innovative and creative approach to making music in these dark times helped its public to cope and even made the news itself.

The first radio orchestra was founded in 1925, the same year that the Swedish Radio Service began its broadcasts. The Swedish Radio Symphony Orchestra received its current name in 1967. Through the years, the orchestra has had several distinguished Music Directors. Two of them are Herbert Blomstedt and Esa-Pekka Salonen.

Daniel Harding is Music and Artistic Director of the Swedish Radio Symphony Orchestra. He is also Artistic Director of the Anima Mundi Festival in Pisa and Conductor Laureate of the Mahler Chamber Orchestra, with whom he has worked for more than 20 years. He is one of few conductors regularly invited to conduct the world’s foremost orchestras, including the Berliner Philharmoniker, Royal Concergebouw Orchestra and Wiener Philharmoniker, and additionally a qualified airline pilot.

A renowned opera conductor, he has led acclaimed productions at Teatro alla Scala in Milan, Theater an der Wien, London’s Royal Opera House and at the Salzburg and Aix-en-Provence Festivals. He has made a great number of recordings, including Grammy Award-winning Billy Budd with the London Symphony Orchestra and Beethoven’s Piano Concertos No. 3 and 4 with the Swedish Radio Symphony Orchestra and Maria João Pires.

Harding’s contract as music director extends through the 2024-2025  season. In 2019, he also accepted a new role as the orchestra’s first artistic director with an overall responsibility for the orchestra’s artistic vision. This expanded role also includes the opportunity to create brand new types of concert programmes and ways to present classical music in creative ways.

“It is increasingly rare for the relationship between a conductor and an orchestra not only lasts for more than a decade, but keeps growing”, Daniel Harding says about working with the orchestra. “It is also rare for an orchestra of the highest musical standard also very obviously want to keep on growing.”

Harding started out playing the trumpet, but in his teens, the interest in conducting took over. 17 years old, he led a performance of Schönberg’s Pierrot Lunaire with a student ensemble. This led to a job assisting Simon Rattle with the City of Birmingham Symphony Orchestra for a year. The time with Rattle and the orchestra ended with Harding’s professional debut, conducting the orchestra himself.

In 2002 Daniel was awarded the title Chevalier de l’Ordre des Arts et des Lettres by the French Government and in 2017 nominated to the position Officier Arts et Lettres. In 2012, he was elected a member of The Royal Swedish Academy of Music. He is a qualified airline pilot.

Malin Broman is First Concertmaster of the Swedish Radio Symphony Orchestra, and an internationally sought-after soloist, having visited the Academy of St Martin in the Fields, the BBC Scottish Symphony Orchestra, the Copenhagen Philharmonic, and the Gothenburg Symphony, among others. She has been Artistic Director of Musica Vitae since 2015, and succeeded Sakari Oramo as Artistic Director of the Ostrobothnian Chamber Orchestra in 2019. She has also been the Artistic Director of the Trondheim Soloists, Oulu Symphony Orchestra, the Gävle Symphony Orchestra, and the ACO Collective – the Australian Chamber Orchestra’s string ensemble.

Over the last few years, Broman has performed world premieres of violin concertos by Helen Grime, Britta Byström, Andrea Tarrodi and Daniel Nelson, and recorded both Carl Nielsen’s and Britta Byström’s concertos. Her recording of Mendelssohn’s double concerto for violin and piano with Musica Vitae and Simon Crawford Phillips was nominated for a Grammy in 2019. She has also made many recordings with celebrated ensemble the Kungsbacka Piano Trio. In the spring of 2020, Broman filmed a noted recording of her playing all eight parts of Felix Mendelssohn’s string octet.

Malin Broman is a member of the Royal Swedish Academy of Music, and Professor of Viola at the Edsbergs Institute of Music. In the spring of 2019, she was awarded H.M. the King’s eighth size medal for her considerable contributions to the Swedish music industry. She plays a Stradivarius violin from 1709 and a Bajoni viola from 1861, borrowed from the Järnåker Foundation.

Swedish soprano Johanna Wallroth was thrust into the limelight when she took First Prize at the prestigious Mirjam Helin International Singing Competition in 2019.

Initially training as a dancer at the Royal Swedish Ballet School, Wallroth subsequently focused her principal study on voice and went on to graduate from Vienna’s Universität für Musik und darstellende Kunst (MDW).  In 2013, Johanna Wallroth made her operatic debut as Barbarina in Le Nozze di Figaro under Arnold Östman at Ulriksdal Palace Theatre, Stockholm. Efter that she has regularly appeared on stages in Sweden and worldwide, for example as Despina in Cosi fan tutte at Schlosstheater Schönbrunn Wien and as Pamina in Die Zauberflöte at Moscow’s Gnesin Academy. In the 19/20 season, Johanna made her role debut as Zerlin  in Don Giovanni to great acclaim in a live-streamed semi-staged performance with the Swedish Radio Symphony Orchestra under Music Director, Daniel Harding.

Already with an enviable experience on the concert platform, Johanna Wallroth has for example performed with Sakari Oramo at Helsinki Music Centre in Mahler, Symphony No 4 and Mozart, Requiem with Orchestre Philharmonique de Radio France under Barbara Hannigan. She was soloist on tour to Antwerp, Amsterdam, Dortmund, Köln, Hamburg and Luxembourg with Daniel Harding and the Swedish Radio Orchestra in Mahler, Symphony No 4.

The 2022/23 season opens with a debut at Sweden’s historic Drottningholm Festival as Leocasta in Vivaldi’s Il Giustino with the Drottningholm Theatre Orchestra under George Petrou, and sees her first appearance at Opernhaus Zürich in a ballet production choreographed by Christian Spück based on the Madrigals of Monteverdi and conducted by Christoph Koncz.

Named as Classical Artist in Residence for the 2022/23 season by the Swedish Radio Symphony Orchestra, Johanna Wallroth joins the orchestra for several concerts across the season including Berg, Sieben frühe Lieder with Daniel Harding, Mozart arias with Martin Fröst and Schubert Mass in E-flat with Andràs Schiff.

Approximate concert lenght: 2 h 10 min including intermission.